We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.

The life & times of Dennis Hopper, showbiz maestro and Hollywood eccentric.

The inevitable fat cigar between his fingers, the American actor, director and fine artist Dennis Hopper (1936) self-mockingly looks back on his chequered life and career, at the request of Dutch director, photographer and fine artist Thom Hoffman. The latter sifted through the turbulent life story of Hopper, who is primarily known from the cult film Easy Rider (1969). Hopper went through as many high as low points. In conveniently arranged chapters, Hoffman shows the decisive moments in Hopper's life and asks colleagues like Wim Wenders, David Lynch, Sean Penn and Julian Schnabel to comment on them. The documentary is richly illustrated with film excerpts, photos, newspaper articles and anecdotes. The main reason for this film was the retrospective of Dennis Hopper's art work in the Amsterdam Stedelijk Museum in 2001.

Hollywood's controversial creative genius, whose career spans multiple generations of moviegoers, is profiled in "Crazy About the Movies: Dennis Hopper."

In 1983 Dennis Hopper went to Rice University in Houston, Texas ostensibly to screen his latest film Out Of The Blue. But little known to anyone, other than Hopper and a handful of his buddies, he had another agenda entirely. While he did indeed screen his movie, Hopper had actually come to Houston to blow himself up. After screening his movie Out Of The Blue, Hopper arranged to have the audience driven by a fleet of school buses to a racetrack on the outskirts of Houston, the Big H Speedway. Hopper and the buses arrived at the speedway just as the races were ending and a voice was announcing over the public address system 'stick around folks and watch a famous Hollywood film personality perform the Russian Dynamite Death Chair Act. That’s right, folks, he’ll sit in a chair with six sticks of dynamite and light the fuse. 'The large guy making the sign of the cross is the writer Terry Southern and the jerk threatening to blow up my camera is the German filmmaker, Wim Wenders.'

Four ambitious women attempt to achieve their own definition of success, while dealing with the struggles of being a millennial in Hollywood.

Fatima, a woman in her forties, becomes an online overnight sensation. Sofi and Cami, a pair of young influencers, will try to take advantage of Fatima's sudden popularity by pretending to be her friends, unbeknownst to them that they messed with the wrong person!

A beautifully rendered, fact-based crime film about a crusading Italian policeman battling Black Hand extortionists in New York’s Little Italy is back on the big screen. In addition to Ernest Borgnine’s brilliantly sensitive portrayal as Lieutenant Joseph Petrosino, this engrossing picture is deftly photographed by Lucien Ballard, beautifully scored by David Raksin with a stellar supporting cast including Zohra Lampert and Alan Austin. Literate, suspenseful and emotionally moving, this memorable film remains the definitive depiction about the emergence of the Mafia in America.

A film about why you should join a club—and why the fate of America may depend on it. Follow the story of America’s civic unraveling through the work of Robert Putnam, whose legendary Bowling Alone findings light a path out of our democracy’s crisis.

During a French business school’s hazing weekend, the body of a drowned student is discovered on the banks of a lake. Police responding to the incident question witnesses, but their stories don’t add up and they begin to suspect that this tragedy was no accident.